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India: A cacophonous mixture in Sadar Bazaar

Ram heads downhill with his half-ton load in Sadar Bazaar, Delhi, India

One of the main crowded streets in Sadar Bazaar, Delhi, India

Day laborers and their loads in Sadar Bazaar, Delhi, India.

Sadar Bazaar is a virtual gridlock of humanity, erupting in an explosion that impacts all the senses. A cacophonous mixture of hawkers, porters, rickshaw wallahs and traffic-trapped motorists add a sense of urgency and thrill to the mesmerizing turmoil. Aromatic spices of vendors peddling food waft in and out of the congested, overflowing labyrinth of alleyways and stalls. Visually, the bazaar is like an ever-turning kaleidoscope of color and faces that move in increasing tempo as one advances deeper into the bazaar.

Sadar Bazaar is the largest wholesale market in Delhi, India, home to one of the leading spice markets in Asia. All of the goods are carried in and out of the heart of the market by human labor…pushed, pulled and heaved around by the sweat of day laborers.

For the past 18 years, Ram, has been hauling carts like this one, piled with a half-ton load of printed materials, for approximately 200 rupees (3-4 dollars) per day. Many laborers earn significantly less.

All Photographs copyright Gary S. Chapman

(Nikon D4, 24mm f1.4, 1/2500 sec, f2.8, ISO 800)

(Nikon D3s, 70-200mm f2.8 @100mm, 1/2000 sec, f2.8, ISO 1000)

India: 525 children living in a tiger preserve

An orphan bathes with water from a well that was just dug on the property.

Some of the more than 500 children assemble for a time of singing.

Lunch being served to the children.

Children at the orphanage eating lunch.

In the middle of a tiger preserve, eighty miles from medical facilities, in an area frequented by Maoist terrorists, live 525 orphans and children at risk. They have no electricity and live in mud and straw homes. Yet, Central India Christian Mission provides food and education for them in the best way their current resources allow. “If we had not accepted these children, ” says Ajai Lall, founder of CICM, “most of them would have died because there was no one to take care of them. Before we got these children, they were living under trees and tin sheds. There was no school in the whole region.”

Many of these children were left to fend for themselves when their parents traveled to large metro cities in an effort to make a living for their families. Some of their parents ended up as bonded laborers in the cities and have not returned to their children. Other children at the home were rescued from child slavery. Pappu Sadhu, CICM area director laments, “Child bondage labor is a critical problem in my country. Through this children’s home we have saved so many children from slavery.” Laws exist in India to ban the use of young workers. But, in the rural areas surrounding the children’s home, many children are forced into labor by wealthy land owners looking to exploit them for higher profits. Throughout India, estimates of child laborers, ages 5-14, range as high 44 million. UNICEF statistics even go as high as 75 million. Many of these children were sold as bonded child laborers to cover some small (relatively speaking) debt their families incurred.

Sadhu added that there are still so many children waiting for an opening in the home, “Now, we are not able to take them. We need more space. We need more food. We need more teachers.”

Listen to a short sample of the children singing.
Orphans-Singing Click Here
Call to action: Visit http://www.indiamission.org/ and sponsor a child.

All Photographs copyright Gary S. Chapman

(Nikon D4, 70-200mm f2.8 @135mm, 1/1200 sec, f2.8, ISO 400)

(Nikon D4, 24mm f1.4, 1/60 sec, f7.1, ISO 3200)

(Nikon D4, 24mm f1.4, 1/160 sec, f2, ISO 100)

(Nikon D4, 70-200mm f2.8 @135mm, 1/640 sec, f2.8, ISO 200)

(Nikon D4, 24mm f1.4, 1/250 sec, f2.5, ISO 3200)

(Nikon D4, 24mm f1.4, 1/60 sec, f4, ISO 4000)

A teacher with her students in one of the mud and straw buildings.

Boys read and nap in a dorm that holds over 200 children.

India: Daily life-wheat harvest

Wheat harvest in India

Last fall, while traveling throughout India, I hoped to happen upon a woman in a colorful sari working in the lush green of a rice paddy. It did not happen. This spring, on a return trip, wheat was being harvested and I began to wistfully search for a red sari in one of the amazingly beautiful wheat fields we passed. My travel companions even joked about me buying a red sari and stashing it in our gear. The day I saw this lady in the field, I practically yelled at our driver to stop.

Although we were not able to stop long enough to find out this woman’s name or story, I was captivated by the sheer beauty of what I had pre-visualized. Maybe next trip I will find the perfect rice paddy and have more time to get the full story.

India is the world’s second largest producer of wheat, and this year is expecting a record harvest.

Photograph copyright Gary S. Chapman
(Nikon D4, 70-200mm f2.8 @ 200mm, 1/1250 sec, f2.8, ISO 100)

India: Disowned by family

Maya in prayer after her baptism.

Maya being baptized.

New Bible given to those baptized.

The serenity on her face is evidence of the peace she says is now in her heart. Maya, 21, raised in a Hindu home, chose to follow the teachings of Jesus and express her decision by baptism.

But, painful memories of her family’s rejection after her decision are still very close to the surface. In a quiet voice, almost tortured by the recalling, Maya relates, “As soon as I accepted Jesus Christ, my family disowned me. They told me, ‘We have nothing more to do with you. Go away from us.’”

In India, where only 2.5% of the people are followers of Jesus, leaving the Hindu traditions of your family often results in rejection and persecution. Maya, her face encircled by her white Sari, looks up and says, “Even though my family has left me, I feel the peace, the calm, the presence of my Lord Jesus Christ in my heart and in my mind. And, it has changed me completely.”

All Photographs copyright Gary S. Chapman

 

(Nikon D4, 70-200mm f2.8, 1/640 sec, f2.8, ISO 3200)

(Nikon D4, 24mm f1.4, 1/200 sec, f1.8, ISO 5000)

(Nikon D4, 70-200mm f2.8, 1/320 sec, f2.8, ISO 3200)

India: Rescued from a lifetime of rejection

Ghansobai carries straw to the family water buffalo.

Ghansobai dances with village friends.

Ghansobai washes the family's dishes.

Ghansobai and her father, Garib, wait for a follow-up examine at the Mission Hospital.

Neighbors in her rural Madhya Pradesh village of 700 would have nothing to do with Ghansobai. Born with a cleft lip and palate, Ghansobai, 11, was ostracized in her village. Her neighbors blamed her horrible disfigurement on a curse by the gods for sins in a past life. Children were forbidden to play with her. Mothers refused to let her draw water from the public well. She was constantly ridiculed, the target of cruel words and abandonment.

“We were really concerned about my daughter,” lamented her father Garib. “What will her future be like? Will she be able to get married? Will she be able to lead a normal life? Will people always make fun of her?”

He spoke of the turning point, “One of my relatives works at the train station. While working, he found a pamphlet announcing a cleft palate clinic.” Garib took his daughter to the clinic sponsored by Central India Christian Mission and the LEAP Foundation three years ago. And three years later, after three surgeries, he now declares his daughter healed. “She is healed and now my daughter is beautiful. I feel like God himself has come down and healed my daughter.”

“We saw the love and heart of these doctors and we were filled with joy. The love these doctors have shown to us…no one , even in our village was willing to show that kind of love.”

“Before we had a misconception about Christianity. We were told by our elders that these people are not good. After receiving the love and compassion from these doctors, our view is completely transformed. Now we know that Christianity is all about showing love and compassion.”

Garib sums up his present joy. “After the surgery, the entire village is her friend.”

Call to action: The medical specialists with LEAP Foundation are real heroes to these children. Check out their work as they partner with Central India Christian Mission to restore lives.

http://www.leap-foundation.org/countries/india/

All Photographs copyright Gary S. Chapman

 

 

(Nikon D4, 24mm f1.4, 1/1000 sec, f2, ISO 2000)

(Nikon D4, 24mm f1.4, 1/640 sec, f2, ISO 3200)

(Nikon D4, 24mm f1.4, 1/500 sec, f2, ISO 1000)

(Nikon D4, 24mm f1.4, 1/100 sec, f1.4, ISO 800)

 


India: Cemetery sunrise on Easter

Shalen, 8, places a candle at his grandmother's grave on Easter morning in central India.

Sakshi, 8, sprinkles flower petals on her brother’s grave on Easter morning in central India.

Candles and flower petals cover a grave on Easter morning in central India.

Four-thirty on Easter Sunday morning, the cool pre-dawn air in the cemetery is infused with the sweet smells of incense and candle smoke. The cacophony of morning traffic and the dry heat of 100+ afternoons is still hours away. Stillness reigns.

Family by family, little groups of people filter into the Christian cemetery in central India to honor and remember their deceased loved ones by decorating the simple graves with flowers, candles and white chalk dust. It is their custom to celebrate Jesus’ death and resurrection. They believe they too will one day be resurrected to be with Jesus as well as with their family and friends.

Most are silent as they light the candles or incense, cover the mounds with quilts of flower petals, or wrap the headstones with garlands of yellow and orange flowers. A few kneel and pray.

The graves, now resplendent with their new coverings, are left to shimmer alone as the several hundred early-risers leave the graves and gather in a clearing to sing and listen to scripture readings. The gathering ends just as the sun begins to light the eastern sky.

All Photographs copyright Gary S. Chapman

(Nikon D800, 50mm f1.4, 1/60 sec, f2, ISO 2000)

(Nikon D4, 24mm f1.4, 1/80 sec, f1.8, ISO 3200)

(Nikon D4, 50mm f1.4, 1/200 sec, f1.8, ISO 3200)

 

World: The Begging Conundrum

Street beggar comes to my window in India

Street beggar giving thanks in India

Beggars in Nepal, Haiti, Israel-Arab Quarter, Israel-Christian Quarter and India

Begging. It makes us nervous. We squirm. We try to look away. We attempt to ignore.

But many places I go in the world I can’t ignore those that are begging. My heart screams to help. My head, in frantic fits of logic tells me why helping is a bad idea.

While the poverty is real,  beggars in some countries beg as part of organized crime. Babies have been rented by beggars for better results. Children have been maimed to attract soft hearts.

Will my giving actually help (other than ease my conscience)? Will it reinforce a culture of dependency? Will it just reward criminal gangs that “own” the beggars?

I don’t have any hard and fast answers. I have given. I have ignored. I have laughed and played with children beggars without giving them anything. I have bought food for obviously hungry beggars. I have said NO when pushed by overly aggressive beggars that don’t sit right with me.

All I know for certain is, that in a few weeks, I will have the same battle of choices during my next assignment.

Hawaii: Teaching Amid the Palms

SOP 1 Classroom-Photo by Bethani Montgomery

School of Photography 1 Class 2012-Photo by Josh Fletcher

Vivian and I love being guest teachers in Hawaii, at the University of the Nations in Kona. That’s easy to believe, right? For more than a decade now, we’ve had the opportunity to teach here for one week each January. Ok, it’s an awesome gig spending a week in a tropical paradise, but even if the school were in Alaska during the dead of winter, I’m sure we’d still love it.

Meeting so many international students and learning about their cultures is one highlight that draws us here. Eight nationalities are sharing their love of photography in this year’s class. You are as likely to hear Mandarin, Dutch, Spanish or German spoken as English while the students are working on their projects.

The School of Photography (SOP 1) condenses the basics of digital photography into a 12 week course taught by Dennis Fahringer, and several guest teachers. Stanley Leary and Louis Deluca will each be heading this way soon for a week of teaching. Stanley shares his lighting and business knowledge and Louis delves into photojournalism and story telling.

Vivian and I shared the basics of humanitarian, non-profit, NGO photography as well as touching on ethics and digital workflow. With the help of great sponsors we have also had some wonderful give-aways thanks to Think Tank PhotoNikonBlackRapid, and ShirtPocket Software.  Aloha!

P.S. The class was super special because our daughter, Sara Chapman, is one of several staff for this school!


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